2022

The best new game releases of 2022 were, to me:

  • He Fucked the Girl Out of Me (Taylor McCue, 2022)
  • Into Ruins (Eric Billingsley, 2022)
  • Yars: Recharged (Liudas Ubarevičius, 2022)
  • Automaton Lung (Luke Vincent, 2022)
  • Citizen Sleeper (Gareth Damian Martin, 2022)
  • Know by Heart (Ice-Pick Lodge, 2022)
  • Betrayal at Club Low (Cosmo D, 2022)
  • Stranger of Paradise: Final Fantasy Origins (Daisuke Inoue, 2022)

The best games I played in 2022 for the first time from any year were:

  • Libble Rabble (Toru Iwatani, 1983)
  • In the Psychic City (Hot-B, 1984)
  • Otocky (Toshio Iwai, 1987)
  • Golden Axe Warrior (Okaru, 1991)
  • Heartbeat Memorial (Yoshiaki Tanaka, 1994)
  • Darkstalkers: The Dark Warriors (Junichi Ohno, 1994)
  • Palette (Nishida Yoshitaka, 1998)
  • King of Dragon Pass (David Dunham, 1999)
  • King's Field IV (Rintaro Yamada & Satoru Yanagi, 2001)
  • One Piece Mansion (Hideaki Itsuno, 2001)
  • Nepheshel (Studio Til , 2002)
  • Radio Zonde (Inudon Empire, 2002)
  • Histoire (tk, 2004)
  • Blue Wish Resurrection (x.x. Game Room, 2006)
  • Hellsinker (Ruminant's Whimper, 2007)
  • The Dark Spire (Success, 2008)
  • Random Dungeon (Hamu suta, 2009)
  • Undefined Fantastic Object (Jun'ya Ota, 2009)
  • Eden's Aegis (x.x. Game Room, 2010)
  • Dragon's Dogma (Hideaki Itsuno, 2012)
  • The House in Fata Morgana (Keika Hanada, 2012)
  • Akashicverse -malicious Wake- (Endless Shirafu, 2012)
  • Saturn V (Cosmo D, 2014)
  • Super Hook Girl (Qpic, 2015)
  • Gothic Magic Maiden (Tsuneki Ikeda, 2015)
  • The Tearoom (Robert Yang, 2015)
  • Stephen's Sausage Roll (Stephen Lavelle, 2016)
  • Rockman X4 Boost (Appendko, 2016)
  • Can You Say My Name Again (nadia nova, 2017)
  • Mudrunner (Saber Interactive, 2017)
  • Akashicforce (Endless Shirafu, 2019)
  • Tomato Clinic (npckc, 2020)
  • In Other Waters (Gareth Damian Martin, 2020)
  • Crumble (Matthieu Houllier, Romain Gremmo, 2020)
  • Jetboard Joust (BitBull, 2020)
  • Hardspace: Shipbreaker (Blackbird Interactive, 2020)
  • Boat Prom (Brendan Patrick Hennessy, 2020)
  • a year of springs (npckc, 2021)
  • Negative Nancy (FEED, 2021)
  • Vestaria Saga II: The Sacred Sword of Silvanister (Shouzo Kaga, 2021)
  • Annalynn (Cruise Elroy, 2021)
  • Unconnected Marketeers (Jun'ya Ota, 2021)

The best movies released in 2022 were, to me:

  • Les passagers de la nuit (Mikhaël Hers, 2022)
  • Chronique d'une liaison passagère (Emmanuel Mouret, 2022)
  • Bowling Saturne (Patricia Mazuy, 2022)
  • Apollo 10 1/2: A Space Age Childhood (Richard Linklater, 2022)
  • Pacifiction (Albert Serra, 2022)
  • Don Juan (Serge Bozon, 2022)
  • Viens je t'emmene (Alain Guiraudie, 2022)
  • Soseolgaui Yeonghwa (Hong Sang-Soo, 2022)
  • Kare o shinjite ita 13-kakan (Kiyoshi Kurosawa, 2022)
  • Die innere Glut – Requiem für Katia und Maurice Krafft (Werner Herzog, 2022)
  • Watcher (Chloe Okuno, 2022)
  • Barbarian (Zach Cragger, 2022)
  • Avec amour et acharnement (Claire Denis, 2022)

It is possible that the works whose absence may be noticeable may have already been watched or played. I have not been able to watch Adam Curtis's, Frederick Wiseman's, Marco Bellochio's, Mitra Farahani's, Arnaud des Pallières's, Rita Azevedo Gomes's, Masao Adachi's, Hirokazu Kore-eda's, Kelly Reichardt's, Kunihiko Ikuhara's or Eugene Green's new films due to availability. Likewise, I have not been able to play Studio Saizensen's or Endless Shirafu's new games due to availability. 

On the other hand, I deliberately omitted mention of James Cameron, Steven Spielberg, Andrew Dominik, George Miller, Jordan Peele, Rian Johnson, Daniel Kwan & Scheinert, S.S. Rajamouli, Todd Field, Joseph Kosinski, Robert Eggers, Ruben Östlund, Chan-Wook Park, Charlotte Wells, Guillermo del Toro, Robert Eggers, Martin McDonagh, Alex Garland, Baz Luhrmann, Alejandro González Iñárritu or Carla Simón on the side of films; or Tetsuya Takahashi, Hidetaka Miyazaki, Aaron Keller, Tony Huynh, Yusuke Miyata, Jonathan Lavigne, Takanori Sato, Ojiro Fumoto, Tomoya Asano, Cory Barlog, Andrew Shouldice, Ben Esposito, Colas Koola & Vivien Mermet Guyenet, Sam Barlow, Luca Galante, Yuri Stern, Kevin Choteau, Jordan Layani, Ron Gilbert, or Geography of Robots on the side of games. Among many others.

Not that we need any of those names to come across good films or good games.

Comments

Post a Comment

Popular posts from this blog

weeb stuff I've enjoyed through the years

Image
(last update: 14/04/2023) Anime (series): Lupin III (Masaaki Osumi, Hayao Miyazaki, Isao Takahata, 1971-1972) Heidi, Girl of the Alps (Isao Takahata, 1974) 3000 Leagues in Search of Mother (Isao Takahata, 1976) Candy Candy (Hiroshi Shidara, Tetsuo Imazawa, 1976-1979) Rose of Versailles (Tadao Nagahama, Osamu Dezaki, 1979-1980) Galactic Drifter Vifam (Takeyuki Kanda, 1983-1984) Armored Trooper VOTOMS (Ryosuke Takahashi, 1983-1984) Giant Gorg (Yoshikazu Yasuhiko, 1984) Panzer World Galient (Ryosuke Takahashi, 1984-1985) Fist of the North Star (Toyoo Ashida, 1984-1987) Blue Comet SPT Layzner (Ryosuke Takahashi, 1985-1986) Touch (Gisaburo Sugii, Hiroko Tokita, Tsuneo Maeda, 1985-1987) Maison Ikkoku (Kazuo Yamazaki, Takashi Anno, Naoyuki Yoshinaga, 1986-1988) Armor Hunter Mellowlink (Takeyuki Kanda, 1988) Gunbuster (Hideaki Anno, 1988-1989) Patlabor: The Early Days (Mamoru Oshii, 1988-1989) Mobile Suit Gundam 0080: War in the Pocket (Fumihiko Takayama, 1989) Dear Brother (Osamu Dezaki, 1991
Read more

Super Mario Bros. after 35 years

Image
The importance of the original Super Mario Bros. can't be understated: It doesn't have to do with being a genre pioneer, since games like Jump Bug , Pitfall or Pac-Land already included the jump mechanic, and the Mario franchise already had two games behind its back: Donkey Kong and Mario Bros . It isn't about being the sidescrolling game either, since Pac-Land 's and Jump Bug 's also scrolled their screens alongside the player, and a few days after the original Super Mario we had Makaimura on the arcades, which also included the jump mechanic alongside a screen that followed the player. What differentiates Super Mario Bros. from its predecessors is the creation of a world surrounding a mechanic, especifically the jump. Shigeru Miyamoto's focus as an author is the direct perception of the interactive premise for the player's immersion, and for that purpose there is particular care to the tangible effect of the environments. In simpler terms, that you
Read more